Un bras posé sur une canne dorée, un pied en avant, un collier doré au cou Le décor est tout Louis XIV accepte ce testament. "The portrait of the King has been exhibited in the great apartment of Versailles; It is full with the royal habit. Louis XIV's court adored Hyacinthe Rigaud, who helped to formulate what a state portrait should be. Art Treasures in the West (Menlo Park: Lane Magazine & Book Co., 1966), p. 40. "[11] Les autoportaits peints par l’artiste tout au long de sa vie seront particulièrement mis en valeur. This original, now in the Louvre 3, from the crown collections,[16] has a replica (now shown in the Apollo Room of the Palace of Versailles ), also signed although of slightly different dimensions than the original. cat. Inv. Journal du marquis de Dangeau, publié en entier pour la première fois par MM. 3rd ed. Help us improve our records by sharing your corrections or suggestions. [1], Such were the statements of Hyacinthe Rigaud, through a friend, in the autobiography he sent to the Grand Duke of Tuscany Cosimo III in 1716. You may view this object in Mirador – a IIIF-compatible viewer – by clicking on the IIIF icon below the main image, or by dragging the icon into an open IIIF viewer window. Louis XIV kept it hanging at Versailles. Philippe de Courcillon, marquis de Dangeau, Journal, avec les additions inédites du duc de Saint Simon, t. 8, Paris, Firmin-Didot frères, 1854-1860, p. 295 (jeudi 19 janvier 1702, note 1) et Mercure galant, janv. C'est une copie de l'original du portrait de Louis XIV de 1701, maintenant … However, it extended the marble gallery in the background slightly, a variation followed by the engraver. Without it we will not have held him for three or four hours"[6]. In Acting on the Past: Historical Performance Across the Disciplines (Hanover, New Hampshire: Wesleyan University, 2000), pp. [7] "The next day, the work actually continued:" Friday 11 at Versailles - The King's gout grew a little, and on leaving the sermon, where he was carried, he was carried back to Madame de Maintenon's, where Rigaud worked on his portrait..". Fredericksen, Burton B. There is no doubt that Rigaud himself supervised Nattier's work, since the drawing was intended for his friend Prevet, and Marc's father, Natier This work inspired the king of Spain's request to the king, his grandfather, to give him his portrait painted by the same hand, which His Majesty granted him. 278 (April 1975), p. 84. Derrière lui, un enfant suivait de tous ses yeux le travail de l'artiste. Sotheby's, London. In Hyacinthe Rigaud’s most famous portrait, Louis XIV shows the majestic power of an absolute monarch. Les circonstances qui présidèrent à la commande, puis à l’exécution et à la livraison du portrait de Louis XIV en grand costume royal [1, Fig. Avec ce portrait de Louis XIV, la renommée de Hyacinthe Rigaud s’accrut à tel point qu’il devint un portraitiste très en vue, sollicité par la haute société aussi bien française qu’européenne. Pierre Drevet was appointed to carry out the engravings and receives "perfect payment of five thousand livres for the engraving [ sic ] he made of the portrait at the foot of the King Louis XIV, according to M. Rigaud, during 1714-1715. The Sun King Louis XIV is depicted in this full-length portrait, three quarters view. He is wearing his coronation robe embroidered with the royal fleur de lys along with some key elements of Baroque style such as the cravat, red heels, and the wig. Dans une riche maison d'un gentilhomme de Perpignan, le vieux peintre roussillonnais Guerra peignait le mur d'une terrasse. Bordeaux, Jean-Luc. On September 3, 1703, in a touching letter he wrote to the Marquise, Philip V in turn confessed: "Thank you for the care you took to get me the portrait of the king, I look forward...[8]". 70.PA.1. 2 vols. Autographe du cabinet de M. le duc de Cambacérès. Portrait of Louis XIV in Coronation Robes was painted in 1701 by the French painter Hyacinthe Rigaud after being commissioned by the king who wanted to satisfy the desire of his grandson, Philip V, for a portrait of him. Hervé Pinoteau, «Insignes et vêtements royaux». Près de 270 ans après la mort de son auteur, le portrait de Louis XIV en costume grand royal par Hyacinthe Rigaud fascine toujours autant le public. Gout came to our rescue. Théophile Lavallée, Correspondance générale de madame de Maintenon publiée pour la première fois sur les autographes et les manuscrits authentiques […], Paris, Charpentier, 1866, vol. IV, Paris, De Bure, 1745. Portrait de Louis XIV en costume de sacre Hyacinthe Rigaud Musée du Louvre. Conformément aux directives gouvernementales de lutte contre la propagation du Covid-19, le musée du Louvre et le musée national Eugène-Delacroix sont fermés jusqu'à nouvel ordre. 170-71, no. "[13] In 1733, he noted the rarity in a letter to Gabburri: "For my part I can encourage you to acquire a portrait of the reigning king and the queen, but the one engraved by Drevet is very difficult to have, and I have it Seen for sale at more than eight livres. Open Content images tend to be large in file-size. Getty, J. Paul. "A Picture of Chardin's Making." Soulié, Dussieux, de Chennevières, Mantz, de Montaiglon avec les additions inédites du Duc de Saint-Simon, t. VIII, 1701-1702, Paris, 1856, p. 51. While Rigaud made a credible likeness of the king, his purpose was not to express Louis's character but to glorify the monarchy. Louis XIV in Coronation Robes by Hyacinthe Rigaud (1701), Charles-Philippe de Chennevières-Pointel 1854, https://en.wikipedia.org/w/index.php?title=Portrait_of_Louis_XIV&oldid=997312509, Wikipedia articles with Joconde identifiers, Creative Commons Attribution-ShareAlike License. The Joys of Collecting (New York: Hawthorn Books, Inc., 1965), pp. From Beijing to Versailles: Artistic Relations between China and France, exh. 336. 213, ill. A Handbook of the Decorative Arts in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1965), p. 8. The content on this page is available according to the International Image Interoperability Framework (IIIF) specifications. Retrouver le mobilier ou les objets d''art similaires à « Atelier de Hyacinthe Rigaud 1659-1743 - Portrait de Louis XIV en cuirasse » présenté par Galerie PhC, antiquaire à Troyes dans la catégorie Tableaux XVIIe siècle Louis XIV, Tableaux et dessins. Avant de rejoindre ses Etats, celui qui était devenu Philippe V d ‘Espagne tint à emporter avec lui le portrait en pied de son illustre aïeul, et il en fit la commande à l’un des peintres les plus en vogue de la cour, Hyacinthe Rigaud. Louis XIV's court adored Hyacinthe Rigaud, who helped to formulate what a state portrait should be. The king occupies the central space of the painting whose composition is constructed from vertical lines (column, king, throne) and a pyramid in which the sovereign inscribes, which creates an elevated space. Rigaud’s monumental portrait displays a life-size, full-body depiction of Louis XIV. The Golden Age (New York: Trident Press, 1968), p. 98. "Figural Inversions of Louis XIV's Dancing Body." H. 266 ; L. 200. The text on this page is licensed under a Creative Commons Attribution 4.0 International License, unless otherwise noted. Possibly Marie-Caroline de Bourbon-Sicile, duchesse de Berry, 1798 - 1870. Par son éclat et sa qualité, ce portrait s'est imposé comme le « portrait officiel » de Louis XIV. The text on this page is licensed under a, All Getty Research Institute Publications, Conservation Perspectives, The GCI Newsletter, GCI Reference Collection (for materials analysis), Research Assistance at GCI Information Center, Links to Cultural Heritage Policy Documents, Marie-Caroline de Bourbon-Sicile, duchesse de Berry, Henri de Bourbon V, duke of Bordeaux and count of Chambord, Princess Beatrice Teresa de Borbón y Borbón, Creative Commons Attribution 4.0 International License, International Image Interoperability Framework (IIIF), The J. Paul Getty Museum at the Getty Center (Los Angeles), June 9, 2015 to July 31, 2016. Princess Beatrice Teresa de Borbón y Borbón, 1871 - 1961 (Rome, Italy; Schloss Frohsdorf, Austria) [sold, Massimo sale, Sotheby's, London, July 20, 1938, lot 136, to J. Paul Getty.].
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